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<channel>
	<title>WEI PO JEN  魏 柏 任</title>
	<link>https://weipojen.com</link>
	<description>WEI PO JEN  魏 柏 任</description>
	<pubDate>Wed, 04 Jun 2025 13:57:49 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://weipojen.com/Home</link>

		<pubDate>Wed, 18 Dec 2019 12:29:15 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

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		<title>Myriad Threads</title>
				
		<link>https://weipojen.com/Myriad-Threads</link>

		<pubDate>Wed, 04 Jun 2025 13:57:49 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

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		<description>
	Myriad Threads

















Wood,
recycled concrete formwork, 

sanhé soil
(oyster shells, glutinous rice paste, syrup, rice
husks), cement, red copper, pencil and pastel on
paper.























	萬縷



















木材、回收水泥模板、三合土（牡蠣殼、糯米漿、糖漿、粗糠）、水泥、紅銅、鉛筆、粉彩、紙本








1000
x 415 x 215 cm



2025




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The
relentless advance and retreat of the sea have sculpted the landscape over
millions of years. Flooding rivers deposit sediments that gradually nurture
islands, which eventually merge into vast expanses of land. On ancient maps,
the waxing and waning of coastlines trace ever-changing geographical patterns,
reflecting the historical journey of humanity living in tandem with nature.



Within
these layered and intertwined landforms, the soil becomes a vessel of memory,
accumulating the wisdom of our ancestors. It records the traces of human
migration, cultivation, and settlement along the border between sea and land,
concealing the past within its layers. Remnants of ancient artifacts endure,
much like the winding waterways on old maps and the tightly intertwined plant
roots that mend fractures and allow what is broken to persist.



By
constructing countless embankments and weaving myriad threads, I build earthen
walls and accumulate stratified landscapes. Employing age-old building
materials such as oyster shells, sugar water, and glutinous rice, I blend the
human body with artifacts. Just as mouths, lips, necks, shoulders, abdomens,
bases, and feet define various parts of the human form, so too do these
artifacts bear the imprints of life.







&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/9b737d3adc9736f6c6e694a801b02f29c418a87139d04893ad348f9189700907/20250603-----sRGB-mini--9.jpg" data-mid="234595959" border="0"  src="https://freight.cargo.site/w/1000/i/9b737d3adc9736f6c6e694a801b02f29c418a87139d04893ad348f9189700907/20250603-----sRGB-mini--9.jpg" /&#62;




On the structure,

I placed small sculptures of body parts and vessels made from sanhé soil — a traditional building material composed of oyster shells, sticky rice, and syrup. Today, traces of this ancient material can still be found at Anping Old Fort and Madou Old Port.

 They all relate to the idea of containers — 

embankments, pots, and
even the human body — which hold water, memory, and feeling.



Sculptures made of 

sanhé soil

, modeled after ancient vessels 

and combined with human body parts featuring shell-like textures.




	&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/efa7145ab18db1abad1a5b94e0a64628bccb08c5dd7517237e3eb1c15ed38b93/20250603-----sRGB-mini--15.jpg" data-mid="234595965" border="0"  src="https://freight.cargo.site/w/1000/i/efa7145ab18db1abad1a5b94e0a64628bccb08c5dd7517237e3eb1c15ed38b93/20250603-----sRGB-mini--15.jpg" /&#62;Wide-mouthed, long-necked, flat-bottomed bottle,

 


13.3 x 13.3 x 18 cm
	&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/341345b04473eb4afd348aa9922f7a5d2a3753f85ac45d9c3378464c88e400a3/20250603-----sRGB-mini--13.jpg" data-mid="234595963" border="0"  src="https://freight.cargo.site/w/1000/i/341345b04473eb4afd348aa9922f7a5d2a3753f85ac45d9c3378464c88e400a3/20250603-----sRGB-mini--13.jpg" /&#62;Bowl with high ring foot, 17.5 x 14.3 x 10.9 cm

	&#60;img width="2880" height="3601" width_o="2880" height_o="3601" data-src="https://freight.cargo.site/t/original/i/8d067488afdc98032bf96a5a32cd607eec6477c7723b800881418fe1ca38b51f/20250603-----sRGB-mini--19.jpg" data-mid="234595969" border="0"  src="https://freight.cargo.site/w/1000/i/8d067488afdc98032bf96a5a32cd607eec6477c7723b800881418fe1ca38b51f/20250603-----sRGB-mini--19.jpg" /&#62;


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Foot, 22.9 x 9.6 x 12 cm.
Eye, 12.6 x 10.7 x 7.4 cm.
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Hand, 21.5 x 9.9 x 4.8 cm.
Ear, 10.6 x 7.3 x 4.5 cm.







This exhibition space is located in a building constructed during the Japanese colonial period. The floor features a unique glass window that reveals its underground structure. Inside, I placed two blocks made of sanhé soil with varying thicknesses, their forms inspired by stone steles used as mile markers along embankment. The ceramic-like cracks on their surfaces show waterways from a 1941 map of Madou and Jiali, intertwined with the current road network.




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Waterways from a 1941 map of Madou and Jiali

, 60.2 x 13.2 x 2.8 cm.

	&#60;img width="2667" height="4001" width_o="2667" height_o="4001" data-src="https://freight.cargo.site/t/original/i/1ec93c6a573294df8b3cbc4923d6e6bbb0cb89e88bd81dcca870cca09f25f308/20250603-----sRGB-mini--27.jpg" data-mid="234686210" border="0"  src="https://freight.cargo.site/w/1000/i/1ec93c6a573294df8b3cbc4923d6e6bbb0cb89e88bd81dcca870cca09f25f308/20250603-----sRGB-mini--27.jpg" /&#62;
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The current road network, 13 x 13 x 64 cm.


The artwork includes three sketches rendered in pencil and pastel, depicting the oyster farms in Qigu, a water reservoir by the Zengwen River’s watermelon fields, and Water Gate No. 4 on the Madou Branch of Chianan Irrigation Canal.

The paper is folded into a container and then unfolded for display.





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&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/3edb5d31000eb4742aed7ca5c8744d4cb2261e29e98cee8e917f66b9886a3cd5/20250603-----sRGB-mini--12.jpg" data-mid="234595962" border="0"  src="https://freight.cargo.site/w/1000/i/3edb5d31000eb4742aed7ca5c8744d4cb2261e29e98cee8e917f66b9886a3cd5/20250603-----sRGB-mini--12.jpg" /&#62;


	&#60;img width="2880" height="3601" width_o="2880" height_o="3601" data-src="https://freight.cargo.site/t/original/i/bc5b3c25198ff11520cda8614583a5ed5025a22ee1dc70616f9fed7f4fb4bb34/20250603-----sRGB-mini--20.jpg" data-mid="234595970" border="0"  src="https://freight.cargo.site/w/1000/i/bc5b3c25198ff11520cda8614583a5ed5025a22ee1dc70616f9fed7f4fb4bb34/20250603-----sRGB-mini--20.jpg" /&#62;
	&#60;img width="2858" height="3573" width_o="2858" height_o="3573" data-src="https://freight.cargo.site/t/original/i/2c66cb7528d2f31cd3978f212ea7ca035a66564f7873919210741c623c7f2024/20250603-----sRGB-mini--16-45.jpg" data-mid="234632419" border="0"  src="https://freight.cargo.site/w/1000/i/2c66cb7528d2f31cd3978f212ea7ca035a66564f7873919210741c623c7f2024/20250603-----sRGB-mini--16-45.jpg" /&#62;




	-


Technical Execution｜Yang Kian Sam,

Kuo En Shuo, Wei Po Jen Special Thanks｜Maggie Pan, Tang Ya Wen, Hou Wen Yung
	-
技術執行｜楊健生、郭恩碩、魏柏任
特別感謝｜潘美君、湯雅雯、侯文詠


&#60;img width="7016" height="9933" width_o="7016" height_o="9933" data-src="https://freight.cargo.site/t/original/i/32809412041f4df872a7f037b75d214a8c63495f7f8bca29dd5253d80e0b7c7f/__02_KV_fin_.jpg" data-mid="234633188" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/32809412041f4df872a7f037b75d214a8c63495f7f8bca29dd5253d80e0b7c7f/__02_KV_fin_.jpg" /&#62;




	



-


Myriad ThreadsTsung-yeh Arts and Culture Center Red-Brick Office C Room / Tainan / TaiwanAPR. 25 - JUL. 27 2025
-


Supervisor｜Cultural Affairs Bureau, Tainan City Government




Organizer｜Tsung-yeh Artist Village






Visual Design｜iiisland Studio




Video Production｜Chen Sheng Hue


Photographer

｜dulub studio



	



-


萬縷總爺藝文中心 / 台南 / 台灣

APR. 25 - JUL. 27 2025




-

指導單位｜臺南市政府文化局
主辦單位｜總爺國際藝術村


視覺設計｜貳島設計
影像製作｜陳聖華


攝影｜嘟嚕影像








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		<title>A Flicker of Calm in the Flow</title>
				
		<link>https://weipojen.com/A-Flicker-of-Calm-in-the-Flow</link>

		<pubDate>Sun, 02 Mar 2025 14:43:19 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

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A
Flicker of Calm in the Flow




































Ceramic, iron, sleeper, wood317 x 228 x 292｜322 x 156 x 251｜364 x 186 x 200 cm3
pieces in total, total dimensions site-specific.2025


	

浮沉中片刻寧靜

陶瓷、鐵、枕木、木材

317 x 228 x 292｜322 x 156 x 251｜364 x 186 x 200

 公分三件一組，總尺寸依場地而定2025































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&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b94600d7e1749bd18921539257f97c7334524df6a396a5ff930a97db49d153f2/_mini-srgb-15.jpg" data-mid="227464872" border="0"  src="https://freight.cargo.site/w/1000/i/b94600d7e1749bd18921539257f97c7334524df6a396a5ff930a97db49d153f2/_mini-srgb-15.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/af6c1a8bc3cee5f206f68c634b82e947a7163b8b44d7e7705d7641f514752547/_mini-srgb-56.jpg" data-mid="227464884" border="0"  src="https://freight.cargo.site/w/1000/i/af6c1a8bc3cee5f206f68c634b82e947a7163b8b44d7e7705d7641f514752547/_mini-srgb-56.jpg" /&#62;


This work incorporates materials such as ceramics, metal, and wood to reimagine the layering, construction, and interweaving of textures and space—its form reminiscent of the kiln fire used in ceramics, echoing the industrial landscape of Yingge. Spanning across a slope that overlooks a mountain view, the installation is arranged in a staggered formation, allowing the forms to engage in a silent dialogue with the natural environment. It reflects the invisible flows of energy in nature and the alternation and cycles between materials. Time feels condensed into a moment of surging vitality, where the elemental forces of wood, fire, earth, metal, and water find balance. Surrounded by mountains, the work rests quietly, drifting within the lush, verdant landscape.
作品以陶瓷、金屬和木頭等材料為元素，重新進行材質與空間的堆疊、建構和交織，形似燒陶時的窯火，回應鶯歌的產業風景。作品橫跨在一面可眺望山景的斜坡上，經由錯列的擺放，藉此形體與自然環境對視，回映自然中不可見的能量流動和物質之間的交替與循環。時間仿佛凝縮在萬物湧動的片刻，木、火、土、金、水的物質循環於此刻取得平衡，寧靜地被四周的山巒環繞，浮沉於鬱鬱蒼蒼之中。



	&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1d5c2e04837e3a29a608fa9bb4e033df975d374be6046efa3542ce4f54ce15cc/_mini-srgb-40.jpg" data-mid="227484905" border="0"  src="https://freight.cargo.site/w/1000/i/1d5c2e04837e3a29a608fa9bb4e033df975d374be6046efa3542ce4f54ce15cc/_mini-srgb-40.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/14da234c0241219d4f127bf8d9b2dbbda276c10a36fcf63bd81a67a2f1f05c90/_mini-srgb-42.jpg" data-mid="227464880" border="0"  src="https://freight.cargo.site/w/1000/i/14da234c0241219d4f127bf8d9b2dbbda276c10a36fcf63bd81a67a2f1f05c90/_mini-srgb-42.jpg" /&#62;
	&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7b6f385f9994b8dcd4f5c7ad6757ec2c3e7df4fd7ed23f7d90d6b3cc84fdb5b8/_mini-srgb-47.jpg" data-mid="227484904" border="0"  src="https://freight.cargo.site/w/1000/i/7b6f385f9994b8dcd4f5c7ad6757ec2c3e7df4fd7ed23f7d90d6b3cc84fdb5b8/_mini-srgb-47.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7999999fcca359b7cf8c5ce11a260dc403fd37c29a015b50c42eb48ffa66f025/_mini-srgb-50.jpg" data-mid="227485442" border="0"  src="https://freight.cargo.site/w/1000/i/7999999fcca359b7cf8c5ce11a260dc403fd37c29a015b50c42eb48ffa66f025/_mini-srgb-50.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/70456e9a6155f2ba91596da3435e7e9367cf149c03a656fbc6217be5b4572d3c/_mini-srgb-20.jpg" data-mid="227464873" border="0"  src="https://freight.cargo.site/w/1000/i/70456e9a6155f2ba91596da3435e7e9367cf149c03a656fbc6217be5b4572d3c/_mini-srgb-20.jpg" /&#62;
	-



CNC Woodworking｜Sing-Yi CNC


CNC Metal Fabrication｜Wan-Meng Laser


Technical Execution｜Yang Kian Sam, Tso Chin Wen, Hou Wen Yung, Pang Yen Shon, Wang Ying Kai, Wei Po Jen Special Thanks｜Liao Chien Chung, Kuo En Shuo, Kuo Chia Huang
	-
CNC 木作加工｜新繹數位木作工程
CNC 金屬加工｜萬萌雷射
技術執行｜楊健生、左晉文、侯文詠、潘彥碩、王楹凱、魏柏任
特別感謝｜廖建忠、郭恩碩、郭嘉皇


&#60;img width="6000" height="2500" width_o="6000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/c9e218888b19891348e02feb2f0c7a049c350645df071f1b4b0aec3972228fbc/_Banner-02.jpg" data-mid="230360134" border="0"  src="https://freight.cargo.site/w/1000/i/c9e218888b19891348e02feb2f0c7a049c350645df071f1b4b0aec3972228fbc/_Banner-02.jpg" /&#62;




	



-


Passing ThroughNew Taipei City Art Museum Park / New Taipei / TaiwanJAN. 18 - MAR. 30 2025
-


Supervisor｜New Taipei City Government


Organizer｜New Taipei City Art Museum


Executive｜Forming Project


Visual Design｜Yagi


Video Production｜Aquamarinefilm


Director of Photography｜Hsu Po-yen


Post Production｜Tsung-Hsun Tsai




Photo courtesy of New Taipei City Art Museum





	



-


穿山而過新北美術館 / 新北 / 台灣JAN. 18 - MAR. 30 2025


-

指導單位｜新北市政府


主辦單位｜新北市美術館


策劃與執行｜而行計劃工作室


主視覺設計｜Yagi


影像製作｜三月影像


攝影｜許博彥


後期動畫｜蔡宗勳


照片提供｜新北市美術館












</description>
		
	</item>
		
		
	<item>
		<title>Solidified Spacetime</title>
				
		<link>https://weipojen.com/Solidified-Spacetime</link>

		<pubDate>Mon, 26 Feb 2024 03:36:50 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

		<guid isPermaLink="true">https://weipojen.com/Solidified-Spacetime</guid>

		<description>















Solidified Spacetime





















Sleepers, iron, red copper wire, wood shavings, japanese porcelain clay, half-porcelain clay, taiwanese yellow clay, american black clay, glaze



480 x 110 x 185 cm2024

The inspiration for the artwork stems from the
artist's personal exploration of Chiayi's Alishan, traversing the hiking trail
from the crossroads towards the “Toe'uana”. The winding path follows the
railway, with tar-covered sturdy sleepers and scattered gravel on the ground
guiding our direction. The route cuts through rich, untouched mountain forests,
presenting a unique landscape and materials shaped by natural processes. Along
the way, neatly stacked sleepers are visible, and the gaps between them bear traces
of various animals, plants, soil, and stones. Sunlight spills into these
spaces, and life undergoes continuous changes within these tiny crevices. Each
gap seems to capture different dimensions of time and space, embracing the
cyclical nature of all life from ancient to present. Water, molecules, cells,
fungi, seeds, eggs, rocks, dust, and planets orbit around us, intertwining and
accumulating. In this moment, we breathe in rhythm, stride with determination,
traverse through time and space, drawing a path in the fleeting moments of
countless years.






























凝固的空格
















枕木、鐵、紅銅絲、木屑、日本瓷土、半瓷土、台灣黃陶土、美國黑土、釉藥
480 x 110 x 185 公分2024
作品的靈感源自於藝術家親身探訪嘉義阿里山，從十字路通往德恩亞納的健行路徑。整條路徑蜿蜒，沿著鐵道前行，焦油覆蓋的粗大枕木和地面上散落的礫石為我們指引了方向。路徑穿越豐富的原始山林，呈現自然生成的獨特風景和物質。沿途，能看見整齊堆放的枕木，而枕木之間的空隙留下了許多動物、植物、土壤和石塊的痕跡。陽光灑落其中，生命在這些微小的隙縫中持續變化，一道道隙縫彷彿擷取了不同時空，包容古往今來萬物生命的交替循環。水、分子、細胞、黴菌、種子、卵、石、塵埃和星球在我們四周環繞運行，彼此交織，相互積累。此刻，我們循著節奏呼吸，奮力跨步，穿越時空前行，在億萬年的短暫光陰中，劃出一道軌跡。

&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/a8e807ecfc9c755fe797508e637b6855d29e87357983f9d5a1cdddf917597fce/-_-_026.jpg" data-mid="205454335" border="0"  src="https://freight.cargo.site/w/1000/i/a8e807ecfc9c755fe797508e637b6855d29e87357983f9d5a1cdddf917597fce/-_-_026.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/4615e229b93c5fb9f92b387b17ff71de93a9c3e7fb1aefab78cf691e88c16de8/-_-_038.jpg" data-mid="205454341" border="0"  src="https://freight.cargo.site/w/1000/i/4615e229b93c5fb9f92b387b17ff71de93a9c3e7fb1aefab78cf691e88c16de8/-_-_038.jpg" /&#62;

&#60;img width="1995" height="1329" width_o="1995" height_o="1329" data-src="https://freight.cargo.site/t/original/i/db8a970ad13f83376096faf9a4b9198e9dbb0b9ef23c31998f4d8afd3ead06f4/-_-_039.jpg" data-mid="205454342" border="0"  src="https://freight.cargo.site/w/1000/i/db8a970ad13f83376096faf9a4b9198e9dbb0b9ef23c31998f4d8afd3ead06f4/-_-_039.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/1198eed7cd02ed06f94485fbf09f0af67378c176073ab11873babdcc3099738c/-_-_033.jpg" data-mid="205454339" border="0"  src="https://freight.cargo.site/w/1000/i/1198eed7cd02ed06f94485fbf09f0af67378c176073ab11873babdcc3099738c/-_-_033.jpg" /&#62;&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/292558ce0b38548c9109bbe9a95b0b04b8721ac0330bac91f0b894a9453cd779/-_-_032.jpg" data-mid="205454338" border="0"  src="https://freight.cargo.site/w/1000/i/292558ce0b38548c9109bbe9a95b0b04b8721ac0330bac91f0b894a9453cd779/-_-_032.jpg" /&#62;&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/5febb06b54affce06d9c924933ea71fa54914d5c879ea7067503c0500c730552/-_-_036.jpg" data-mid="205455433" border="0"  src="https://freight.cargo.site/w/1000/i/5febb06b54affce06d9c924933ea71fa54914d5c879ea7067503c0500c730552/-_-_036.jpg" /&#62;&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/26f5c9c7c058ac06f90c4617344e712703df67e85a3a0602cb77b6fb6ae452a9/-_-_034.jpg" data-mid="205454340" border="0"  src="https://freight.cargo.site/w/1000/i/26f5c9c7c058ac06f90c4617344e712703df67e85a3a0602cb77b6fb6ae452a9/-_-_034.jpg" /&#62;&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/fbfe33cd459bdef37a15605c106174c4d4213609d7bf7fbaf7c44b511b7dad6e/-_-_040.jpg" data-mid="205454343" border="0"  src="https://freight.cargo.site/w/1000/i/fbfe33cd459bdef37a15605c106174c4d4213609d7bf7fbaf7c44b511b7dad6e/-_-_040.jpg" /&#62;&#60;img width="1772" height="1179" width_o="1772" height_o="1179" data-src="https://freight.cargo.site/t/original/i/cd64dfcc7d6ff925a5057ee2a8306e6415f745aa728a856860ef754551d38c9e/-_-_019.jpg" data-mid="205455187" border="0"  src="https://freight.cargo.site/w/1000/i/cd64dfcc7d6ff925a5057ee2a8306e6415f745aa728a856860ef754551d38c9e/-_-_019.jpg" /&#62;
	-


Metal Fabrication｜Hsieh Chi Hsun





Special Thanks｜Tang Ya Wen
Photography｜Wu Hsin Ying
	-
金屬製作｜謝其軒
特別感謝｜湯雅雯
攝影｜吳欣穎


&#60;img width="1448" height="2048" width_o="1448" height_o="2048" data-src="https://freight.cargo.site/t/original/i/af25d5e5fb529c5771f1deea0e017443d71925490e957ed78291d384348b0c43/IMG_5020.JPG" data-mid="230360572" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/af25d5e5fb529c5771f1deea0e017443d71925490e957ed78291d384348b0c43/IMG_5020.JPG" /&#62;
	

-The Line, the Borderline, and the Floating Boundary.Chiayi Art Museum / Chiayi / TaiwanJAN. 27 - MAY. 12 2024
-
Curator｜Chen Kuan Yu 
Supervisor｜Ministry of Culture, Chiayi City GovernmentOrganizer｜Chiayi Art Museum
	

-
懸置的界線嘉義市立美術館 / 嘉義 / 台灣JAN. 27 - MAY. 12 2024
-

策展人｜陳寬育

指導單位｜文化部、嘉義市政府

主辦單位｜嘉義市立美術館








</description>
		
	</item>
		
		
	<item>
		<title>Fissure</title>
				
		<link>https://weipojen.com/Fissure</link>

		<pubDate>Mon, 17 Jul 2023 07:22:08 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

		<guid isPermaLink="true">https://weipojen.com/Fissure</guid>

		<description>Fissure
Water, wood, tile gripper, paint, resin, old buckets820 x 400 x 290 cm2023





The work Fissure is based
on the gray area between the urban space and architectural volume as an
extension of the overall spatial structure, as well as the gap left behind by
the interweaving of structures.&#38;nbsp; Under the white wall, the body is led by
the smell of dampness and the sound of dripping water. By looking into the
fissure, the boundary of the space becomes ambiguous due to the entry of
light.&#38;nbsp; The work uses sound and space to observe, capture the small
changes in the corners of space and the peeling of materials, and blur the
boundary of space through a surface of residual water marks, wall cancer and
cracks.&#38;nbsp; At the same time, it also acts as an outlet for the light to
transfer such feelings to the space interface, presenting the balance between
space and body.






























敗口
水、木材、益膠泥、水泥漆、樹脂、舊水桶

820 x 400 x 290 公分2023




作品《敗口》擷取自都市空間與建築體間的灰色地帶，將此作為整體空間結構的延伸，也如同結構交織下遺留的間隙。白牆下，引領身體低下的是潮濕的氣味與滴水的聲音，朝向間隙內部觀看後，因光線的進入，讓空間的邊界變的模糊不清。作品以聲音與空間方式進行觀察，擷取空間角落與物質剝落的微小變化，透過一堵殘留水痕、壁癌與裂隙的面，化作模糊空間邊界的方式，同時也作為光線灑落的出口，將這樣的感受轉移至空間介面，呈現空間與身體的平衡關係。

&#60;img width="2777" height="1681" width_o="2777" height_o="1681" data-src="https://freight.cargo.site/t/original/i/39e067b821846601656910701b6d41c0d4964dc4aaee033d520ecd148e6096e7/IMG_3439.JPG" data-mid="206961418" border="0"  src="https://freight.cargo.site/w/1000/i/39e067b821846601656910701b6d41c0d4964dc4aaee033d520ecd148e6096e7/IMG_3439.JPG" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0868eda87b047272a03d8164cbab3ff6f7656e7acebc5eb21ebc9e5dd9f6f685/230606164936-mini-srgb.jpg" data-mid="185278700" border="0"  src="https://freight.cargo.site/w/1000/i/0868eda87b047272a03d8164cbab3ff6f7656e7acebc5eb21ebc9e5dd9f6f685/230606164936-mini-srgb.jpg" /&#62;

&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/91e225189761b390d16a04226bf6061027eb1278179df6df84db6d49312565b8/230606165036-mini-srgb.jpg" data-mid="185278702" border="0"  src="https://freight.cargo.site/w/1000/i/91e225189761b390d16a04226bf6061027eb1278179df6df84db6d49312565b8/230606165036-mini-srgb.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/76e01cfc629c677aad7e3b7519ca5e09ee7b047c0be9ed6c6949e452f45343e1/230606165315-mini-srgb.jpg" data-mid="188173746" border="0"  src="https://freight.cargo.site/w/1000/i/76e01cfc629c677aad7e3b7519ca5e09ee7b047c0be9ed6c6949e452f45343e1/230606165315-mini-srgb.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9d24bd1e8152a9543e7202779b45b2146429fccd68a5ad468041d1b5700df389/230606165859-mini-srgb.jpg" data-mid="185278710" border="0"  src="https://freight.cargo.site/w/1000/i/9d24bd1e8152a9543e7202779b45b2146429fccd68a5ad468041d1b5700df389/230606165859-mini-srgb.jpg" /&#62;
&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/374f5d3c04486671a93ac3c6ab9c422c67ae44d6bc1868ed5794e9fd8cfd437a/230606170331-mini-srgb.jpg" data-mid="185278718" border="0"  src="https://freight.cargo.site/w/1000/i/374f5d3c04486671a93ac3c6ab9c422c67ae44d6bc1868ed5794e9fd8cfd437a/230606170331-mini-srgb.jpg" /&#62;
	

-
Technical Execution｜Yang Kian Sam, Kuo En Shuo, Wei Po JenLighting Execution｜LighTemp
Photography｜Chu Chi Hong

Support｜National Culture and Arts Foundation, Department of Cultural Affairs




	

-
技術執行｜楊健生、郭恩碩、魏柏任
燈光設計｜絕對光度
展場攝影｜朱淇宏
補助單位｜財團法人國家藝術文化基金會




&#60;img width="3000" height="2025" width_o="3000" height_o="2025" data-src="https://freight.cargo.site/t/original/i/ebf6d0b442c4b5aba2d195ec4bc21cecbe5de544371492c998270a623ff9f1c0/-.jpg" data-mid="230361847" border="0"  src="https://freight.cargo.site/w/1000/i/ebf6d0b442c4b5aba2d195ec4bc21cecbe5de544371492c998270a623ff9f1c0/-.jpg" /&#62;
	

-Measured in FeetHong-Gah Museum / Taipei / TaiwanJUN. 02 - JUL. 30 2023
-
Curator｜Lin Yu-Hsuan







Visual Design｜izhii



Presenters｜National Arts and Culture Foundation, Curator’s Incubator Program@Museums, Chew’s Culture Foundation

Organizer｜ Hong-Gah Museum






	-
一百坪的散步練習鳳甲美術館 / 台北 / 台灣JUN. 02 - JUL. 30 2023
-


策展人｜林裕軒
視覺設計｜陳奕志

主辦單位｜財團法人國家文化藝術基金會、策展人培力＠美術館專案、財團法人邱再興文教基金會


執行單位｜鳳甲美術館
</description>
		
	</item>
		
		
	<item>
		<title>Inner Creep</title>
				
		<link>https://weipojen.com/Inner-Creep</link>

		<pubDate>Mon, 13 Mar 2023 13:43:14 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

		<guid isPermaLink="true">https://weipojen.com/Inner-Creep</guid>

		<description>
	

Inner Creep
Iron, copper, sound installation240 x 114 x 39.2｜240 x 114 x 46.2 cm

Total dimensions site-specific


2023


	



裡層蠕動

鐵、銅、聲音裝置




240 x 114 x 39.2｜240 x 114 x 46.2

 公分
總尺寸依場地而定
2023

&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8de478bd8f3decaacc550de18f9b2411d7850d2669253d8f5de79cc114cee12b/230309124727-mini-srgb.jpg" data-mid="171470301" border="0"  src="https://freight.cargo.site/w/1000/i/8de478bd8f3decaacc550de18f9b2411d7850d2669253d8f5de79cc114cee12b/230309124727-mini-srgb.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8812e4637ecf25480232e76486a1df503b11858010042bdb29dc568341a5977e/230309125002-mini-srgb.jpg" data-mid="171470302" border="0"  src="https://freight.cargo.site/w/1000/i/8812e4637ecf25480232e76486a1df503b11858010042bdb29dc568341a5977e/230309125002-mini-srgb.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/60829ffa845aaa0a1a9bfb0f90fed221d725e089528d88470352d6d16c087577/230309151834-mini-srgb.jpg" data-mid="171470310" border="0"  src="https://freight.cargo.site/w/1000/i/60829ffa845aaa0a1a9bfb0f90fed221d725e089528d88470352d6d16c087577/230309151834-mini-srgb.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6f762fe6dd05eb11e140ad898ba8612671c4b2df3e950494812bdc04a80f1c08/230309152527-mini-srgb.jpg" data-mid="171470315" border="0"  src="https://freight.cargo.site/w/1000/i/6f762fe6dd05eb11e140ad898ba8612671c4b2df3e950494812bdc04a80f1c08/230309152527-mini-srgb.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d49c6a8715cbc39f0554543ce55e2ceac55e5fdab75fa06de280f961f38602c4/230309152629-mini-srgb.jpg" data-mid="171470317" border="0"  src="https://freight.cargo.site/w/1000/i/d49c6a8715cbc39f0554543ce55e2ceac55e5fdab75fa06de280f961f38602c4/230309152629-mini-srgb.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/023cd3bfc7d92d005c6cec9bcafbbb845f1cd639607e24ce8959020f4bca05eb/230309152224-mini-srgb.jpg" data-mid="171470313" border="0"  src="https://freight.cargo.site/w/1000/i/023cd3bfc7d92d005c6cec9bcafbbb845f1cd639607e24ce8959020f4bca05eb/230309152224-mini-srgb.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4dd8c22913308d266b4cc4078486853393238788c6777bfbef582e8ce5715121/230309121317-mini-srgb.jpg" data-mid="182399958" border="0"  src="https://freight.cargo.site/w/1000/i/4dd8c22913308d266b4cc4078486853393238788c6777bfbef582e8ce5715121/230309121317-mini-srgb.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/5dd9e56b75137ce393383dddc073d37bf03eafe754651e298e05de329c55460f/230309141358-mini-srgb.jpg" data-mid="171470306" border="0"  src="https://freight.cargo.site/w/1000/i/5dd9e56b75137ce393383dddc073d37bf03eafe754651e298e05de329c55460f/230309141358-mini-srgb.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/aeed4b33a6de881f9e299485567f58716067a13277df969470f38eee1d3a868f/230309141536-mini-srgb.jpg" data-mid="171470308" border="0"  src="https://freight.cargo.site/w/1000/i/aeed4b33a6de881f9e299485567f58716067a13277df969470f38eee1d3a868f/230309141536-mini-srgb.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8ca13d204e474063cb8e1cf883f4515959043cc430084b119fa050c34dc9e783/230309141234-mini-srgb.jpg" data-mid="172909711" border="0"  src="https://freight.cargo.site/w/1000/i/8ca13d204e474063cb8e1cf883f4515959043cc430084b119fa050c34dc9e783/230309141234-mini-srgb.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d17761b45ab7aae00d1b9084c90b1ca07791842ecc3d98cfcaa0a7bc5ec9b4ea/230309141318-mini-srgb.jpg" data-mid="172911282" border="0"  src="https://freight.cargo.site/w/1000/i/d17761b45ab7aae00d1b9084c90b1ca07791842ecc3d98cfcaa0a7bc5ec9b4ea/230309141318-mini-srgb.jpg" /&#62;


The artwork deftly employs the subtle sounds of worm
movement as a metaphor to immerse the viewer into the unfathomable depths of
the human body. The artist artfully interweaves sound and sculpture,
illuminating the nexus between the coiled body and the natural world and
evoking sensory impressions similar to the flickering of night lights. The
monumental metal sculptures, suggestive of fragments extracted from the earth,
convey the passage of time through their myriad rust traces adorning every nook
and cranny.



	-




Metal Fabrication Assistance｜Chen Ching Long



Installation Support｜Tsai Tsung Hsun,

Liu Yu Ting, Kuo En Shuo






CNC Metal Fabrication｜Jo-Sing Stainless Steel Laser

Artwork Mounting｜LULU mount








Lighting Execution｜LighTemp




Photography｜Chu Chi Hong




Special Thanks｜Lin Yu Hsuan, 
Hsu Ting Jane, 
Feng Chih Ming


	-
金屬製作協力｜陳慶龍


布展技術協力｜蔡宗勳、劉昱廷、郭恩碩CNC金屬加工｜久新不鏽鋼雷射有限公司


裝裱｜LULU mount




燈光｜絕對光度
攝影｜朱淇宏特別感謝｜林裕軒、許庭甄、馮稚暝



&#60;img width="1278" height="1280" width_o="1278" height_o="1280" data-src="https://freight.cargo.site/t/original/i/8d56cb5764e2c09cc1dac749135dfdaba15aca9b66a31d5daad01c9d4c6ccaab/IMG_2361.JPG" data-mid="231650630" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/8d56cb5764e2c09cc1dac749135dfdaba15aca9b66a31d5daad01c9d4c6ccaab/IMG_2361.JPG" /&#62;
	

-Earthworm and dustYIRI ART / Taipei / TaiwanMAR. 02 - MAR. 25 2023
-
Support｜National Culture and Arts Foundation, 
Department of Cultural Affairs, Taipei City Government


	

-
蚯蚓與塵埃伊日藝術計劃 / 台北 / 台灣MAR. 02 - MAR. 25 2023-


補助單位｜財團法人國家藝術文化基金會、台北市文化局




</description>
		
	</item>
		
		
	<item>
		<title>Dark Wall</title>
				
		<link>https://weipojen.com/Dark-Wall</link>

		<pubDate>Mon, 14 Jun 2021 14:31:41 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

		<guid isPermaLink="true">https://weipojen.com/Dark-Wall</guid>

		<description>
	



Dark Wall


Live performance, 4 hours per session, 3 sessions in total.

 

Charred Fir, paper, white porcelain plate, aluminum sheet,
fog machineDimensions
variable2021


	



黑牆


現場行為表演 4小時/場，共3場


燒杉板、紙張、白瓷盤、鋁板、噴煙機
尺寸依場地而定2021

"Examining many of the strange, indeed horrifying, rites and ceremonies of primitive initiation, we are led to the conclusion that the purpose and actual effect of these exercises of severance are to drive the psychê out of the body, to push it beyond the last bounds of the world, and yet to bring it back again, revived, tempered, and enlightened. This is the basic motif of the universal hero's journey—leaving one condition and finding the source of life to bring you forth to a richer or more mature condition. The so-called rites of passage, which occupy such a prominent place in the life of a primitive society—rights which attend a lifetime from birth through puberty, marriage, and death—are distinguished by formal, and often very severe, exercises of severance, whereby the mind is radically cut away from the attitudes, attachments, and life patterns of the stage being left behind. The period of retirement may be long or brief, during which, by means of various ceremonies, the mind is prepared for the life-patterns and feelings of the new stage. Then, when the crisis of the ordeal is passed, the worshipper is reborn in the world anew, refreshed and resolved."

— Joseph Campbell, The Hero with a Thousand Faces




The inside and the outside of the wall represent two different stages of a journey. Being within these stages, one perceives the surrounding things and discerns their location. By crossing the wall, one gains a clear understanding of the wall's appearance.

In past creations, I attempted to understand the influence of family relationships on individuals through my own body. At each stage of creation, I would look back and re-experience those specific moments of memory. This time, I am trying to immerse myself in all things, using sound conduction to awaken subtle memories.





「考察來自原始部落及過去偉大文明的許多怪異儀式時，這些儀式引導人們跨越那些艱難的轉化門檻—同時要求意識以及無意識生活模式的改變…。在原始社會生活中佔有顯著地位的所謂成長儀式(出生、命名、成人、結婚、喪葬等禮儀)，藉由正式且非常嚴格的隔離練習（exercises of severance）而凸顯出來；透過這種練習，心識與前一階段的態度、執著和生活模式全然切斷。接下來會有一段或長或短的隱退間隔，此時制定好的儀式將引介生命歷險者，進入他生命的形式及固有的感受中，所以最後當回歸日常世界的時機成熟時，被啟蒙者便有如再生一般。」 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ――喬瑟夫．坎伯《千面英雄》


牆內和牆外是兩種不同階段的歷程，身處其中感受周遭事物，辨明所在之處。跨越了牆，認清了牆的樣貌。
過往的創作中，嘗試以自身身體體認家庭關係之於人的影響，在每個創作階段，重新回望，再次經歷那些特定記憶的時刻。這次，嘗試將自身融入在萬物之中，以聲音傳導，喚醒細微記憶。


&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/88d01e6daa5b1f918260789020143c849931d6cc589df120be457bdb2a22b065/_ADZ7867.JPG" data-mid="111313815" border="0"  src="https://freight.cargo.site/w/1000/i/88d01e6daa5b1f918260789020143c849931d6cc589df120be457bdb2a22b065/_ADZ7867.JPG" /&#62;
&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/1334db89842ca26ee8a7afa4a22d1445090295ea2da1239c47c3c506f990027e/_ADZ7868.jpg" data-mid="111608849" border="0"  src="https://freight.cargo.site/w/1000/i/1334db89842ca26ee8a7afa4a22d1445090295ea2da1239c47c3c506f990027e/_ADZ7868.jpg" /&#62;
&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/4941a986b3bdcaa81be13994c2eca6b5b33b4a9b21fe4121e23bb9353d0c9264/_ADZ7864.JPG" data-mid="111313812" border="0"  src="https://freight.cargo.site/w/1000/i/4941a986b3bdcaa81be13994c2eca6b5b33b4a9b21fe4121e23bb9353d0c9264/_ADZ7864.JPG" /&#62;
&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/6e0dc01e891c290d4e69e8e17f283510ca42cce3f2de2c63ac576a5958225e25/_ADZ7866.JPG" data-mid="111313814" border="0"  src="https://freight.cargo.site/w/1000/i/6e0dc01e891c290d4e69e8e17f283510ca42cce3f2de2c63ac576a5958225e25/_ADZ7866.JPG" /&#62;

	&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/e4d00af70938518ca8b1ced4373175a2fae70fa83f29dfe1876bdcde32cbe0f9/_ADZ7666.JPG" data-mid="111313809" border="0"  src="https://freight.cargo.site/w/1000/i/e4d00af70938518ca8b1ced4373175a2fae70fa83f29dfe1876bdcde32cbe0f9/_ADZ7666.JPG" /&#62;
&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/03288ba3b9f644ea673de7bf4ac5443c31ee4bbe38d65b3ccf03aa4f5a90e1ab/_ADZ7662.JPG" data-mid="111313789" border="0"  src="https://freight.cargo.site/w/1000/i/03288ba3b9f644ea673de7bf4ac5443c31ee4bbe38d65b3ccf03aa4f5a90e1ab/_ADZ7662.JPG" /&#62;

	&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/1ec0b52bdd2287d32c53bb6fd0f0f1dca0e05a2372475ea78be52bde2710811f/_ADZ7739.JPG" data-mid="111313811" border="0"  src="https://freight.cargo.site/w/1000/i/1ec0b52bdd2287d32c53bb6fd0f0f1dca0e05a2372475ea78be52bde2710811f/_ADZ7739.JPG" /&#62;
&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/ce699323201acb5c9afce62c4aa19052f8aa5abd67639071b3e7f5e478e7ddd2/_ADZ7663.JPG" data-mid="111313804" border="0"  src="https://freight.cargo.site/w/1000/i/ce699323201acb5c9afce62c4aa19052f8aa5abd67639071b3e7f5e478e7ddd2/_ADZ7663.JPG" /&#62;

&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/a2670c8340129e0ba0a6733be51b905e2d0bf27f1e46b4f2a527b88363e443c8/_ADZ7627.JPG" data-mid="111313763" border="0"  src="https://freight.cargo.site/w/1000/i/a2670c8340129e0ba0a6733be51b905e2d0bf27f1e46b4f2a527b88363e443c8/_ADZ7627.JPG" /&#62;
&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/bf8dda9846ebcaee4eede7a132edc45d393f018ec64a60d6ba143391b0d676c8/_ADZ7632.JPG" data-mid="111313767" border="0"  src="https://freight.cargo.site/w/1000/i/bf8dda9846ebcaee4eede7a132edc45d393f018ec64a60d6ba143391b0d676c8/_ADZ7632.JPG" /&#62;
&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/949759c8d31c80af6f134d114518cf383636a29111104cbd8a1cfacd134b71df/_ADZ7640.JPG" data-mid="111313769" border="0"  src="https://freight.cargo.site/w/1000/i/949759c8d31c80af6f134d114518cf383636a29111104cbd8a1cfacd134b71df/_ADZ7640.JPG" /&#62;
&#60;img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/9e8d2d579d771eb77cc6ce4503b251462d5234195698020245241dfaff7f5163/_ADZ7655.JPG" data-mid="111313774" border="0"  src="https://freight.cargo.site/w/1000/i/9e8d2d579d771eb77cc6ce4503b251462d5234195698020245241dfaff7f5163/_ADZ7655.JPG" /&#62;
	

-
Performer｜Wei Po Jen

Installation Support｜Liu Yu Ting、Wei Po Jen




Audio Support｜Feng Chih Ming





Lighting Execution｜Wei Po Jen


Video Production｜Aquamarinefilm






Special Thanks｜Wang Yu Song
-Dark WallYIRI ART / Taipei / TaiwanAPR. 29 - MAY. 22 2021



	-
行為者｜魏柏任
布展技術｜劉昱廷、魏柏任聲音技術｜馮稚暝


燈光設計｜魏柏任動態影像｜三月影像






特別感謝｜王煜松
-


黑牆伊日藝術計劃 / 台北 / 台灣APR. 29 - MAY. 22 2021







</description>
		
	</item>
		
		
	<item>
		<title>Channel, Film, and The Machine</title>
				
		<link>https://weipojen.com/Channel-Film-and-The-Machine</link>

		<pubDate>Wed, 18 Dec 2019 12:29:17 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

		<guid isPermaLink="true">https://weipojen.com/Channel-Film-and-The-Machine</guid>

		<description>Channel, Film, and The Machine




Water, iron, stainless steel, pump / Single-Channel VideoDimensions
variable / 11’ 39”2019 - 2021


This work creates a microscopic view for
audiences to rest sights on specific objects, and
bring them to further read in the interpretation of old tape recorder and film tapes. It
blends the imagination of exhibition space with the revisit of life scene, and
targets on the discussion of the meaning of specific objects toward one’s life
experience.The artist vaguely remembers that there used to
be a family videotape that recorded some of the significant moments in his young life. The reason why this video is special is that it was filmed by the artist’s stepfather. Through the eyes of the stepfather to record the family’s life, the contradiction hidden behind can be felt from the shaking image. Those yearning memories came back to the artist when he moved up north. He realized
the tape was left inside of the recorder afterward. Those people, incidents, and
places in the video that once existed were exposed again after the passing six to seven
years. 


Located in a basement where audiences
can only enter through a downward one-way entrance, its low ceiling, crossbeam,
exposed pipelines, staggered structures, and the air conditioning system all bring
a clandestine and mechanic character to the exhibition space. In this work, the artist, as the photographer like his stepfather who recorded his family before. The sight took
place from a photographer’s eyes looking toward a gigantic tin factory built by
reinforcement, filled with piled-up furniture, catering equipment, and metal
products, indicating the environment where the mother of the artist worked and lived. The factory is also the place where the artist lived when he was young. The two scenes above corresponded with one another. In the video, the mother slowly dismantled the tape recorder one by one in the house-like factory building until it could never be repaired. The flashback childhood image memory then broke and disappeared. At this moment, he returned to his former role as his stepfather, watching his family's life through his eyes.

渠道、膠卷與機器




水、鐵、不鏽鋼、泵浦 / 單頻道錄像尺寸依場地而定 / 錄像長度 11分39秒2019 - 2021


本件作品向觀眾展示了一種微觀的視野，藝術家試圖將視線聚焦在個人生命中特定物件的觀察上―舊式錄放影機與膠卷錄影帶的想像與重新詮釋。其中，揉雜展場空間的想像以及生命經驗場景的重新觀看，聚焦在「特定物件之於個人的生命意義」上。曾有一卷家庭錄影帶，記錄了藝術家年幼生命中一些重要的時刻，這卷錄影帶之所以別具意義，因為它是由繼父所拍攝的，透過繼父的雙眼紀錄家人的生活，從搖晃的影像中可以感受到隱藏在背後的矛盾。直到他北上一人生活，想起了那些令人懷念的年幼時光。原來，那卷錄影帶被擱置在當初拍攝的錄影機中。六七年過去了，影像中的人、事件及地方又重新地被顯影出來。

位處地下室的展場空間，須經由向下延伸的單一通道方能進入，低矮的天花板、橫樑、裸露的管線、交錯的結構或是安置其中的空調系統，帶有某種幽閉的機器性格。與此呼應的，是投影於展場深處的錄像作品，藝術家以拍攝者的身分，紀錄一座由鋼筋鐵皮搭建而成的巨大廠房，其中堆置各類樣式繁多的傢俱、餐飲設備和金屬製品，那是母親日復一日工作與生活的場所，同時也是藝術家年幼時曾經生活過的家。影像中，母親在家屋般的廠房內，緩慢地將錄影機一一拆解，直至永遠無法修復，回閃的兒時影像記憶，隨之斷裂與消逝。此刻，藝術家如同回到了從前與繼父相同的視角，透過雙眼觀看著家人的生命。



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Metal Fabrication｜Tsai Ming Huang

Installation Support｜Wang Yu Song, Wang Yu, Xu Li Xuan, Lu Chun Chan, Tang Ya Wen, Lin Yu Hsuan, Lin Ying Chieh, Hsu Ting Jane

Lighting Execution｜Wei Po Jen

Performer｜Chen Su Ying



Director of Photography｜Hsu Po Yen

Camera Operator｜Hsu Po Yen



Video Editor｜Wei Po Jen
Photography｜Chu Chi Hong

Support｜National Culture and Arts Foundation, Department of Cultural Affairs, Taipei City Government






-Channel, Film and The Machine - WEI PO JEN Solo ExhibitionFreeS Art Space / Taipei / TaiwanJAN. 05 - FEB. 02 2019

	-
金屬加工｜蔡明璜
佈展協力｜王煜松、王瑀、徐立軒、盧均展、湯雅雯、林裕軒、

林盈潔、許庭甄燈光設計｜魏柏任

演員｜陳素英



攝影指導｜許博彥
動態攝影｜許博彥

剪接｜魏柏任靜態攝影｜朱淇宏
補助｜財團法人國家文化藝術基金會、臺北市立文化局
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渠道、膠卷與機器 - 魏柏任個展福利社 / 台北 / 台灣JAN. 05 - FEB. 02 2019




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	-


Metal Fabrication｜Wei Po Chen, Wei Po Jen


Installation Support｜Wang Yu, 
Tsai Tsung Hsun



AV Technician｜Tsai Tsung Hsun









-2021 Kaohsiung AwardKaohsiung Museum of Fine Arts / Kaohsiung / TaiwanAPR. 24 - AUG. 22 2021



	-


金屬加工｜魏柏臣、魏柏任

佈展協力｜王瑀、蔡宗勳
影音技術｜蔡宗勳




-

2021 高雄獎高雄市立美術館 / 高雄 / 台灣APR. 24 - AUG. 22 2021




</description>
		
	</item>
		
		
	<item>
		<title>Sketch of the Past Position</title>
				
		<link>https://weipojen.com/Sketch-of-the-Past-Position</link>

		<pubDate>Tue, 24 Dec 2019 08:14:51 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

		<guid isPermaLink="true">https://weipojen.com/Sketch-of-the-Past-Position</guid>

		<description>Sketch of the Past Position




Charcoal and rock-pen on wallDimensions
variable
2018 - 2019





While Sitting on the bus, departing from Hsinchu to Taipei, through the window was the view of the long stretched highways quivered in the air as chords, connecting the two vanishing points, disappeared in the ridge from a distance. With the view whisking, the city landscapes outside of the windows flung off before being carefully observed. Through multiple trips, the view of enormous chimney erecting the sky with smoke emission, industrial buildings resembling the circuit boards, and ventilation fans arrayed tidily on the rooftop of sheet metal houses, were all kept as distinctive scenes in the memories. The view of fleeting landscapes was restructured into the new inner life scenery in the artist’s mind.









空間製圖



炭筆和石筆繪於牆上、天頂鏡尺寸依場地而定2018 - 2019



坐在新竹開往台北的離鄉客運上，窗外沿途所見的，是一條條細長綿延的高架道路，如同琴弦般在空氣中顫動著，連接兩端的消失點，隱沒在遠處的山脊之間，隨著高速移動的視線，兩旁的城市景觀還來不及觀察就被拋開。經歷多次往返，一些突出鮮明的場景被記憶下來――排放黑煙，豎立在天際的巨大煙囪、如同電子電路板般的工業建築群、鐵皮廠房的屋頂上，排列井然有序的通風球等等…，這些瞬間即逝的景觀，被重新拼湊後，在藝術家的腦海中建構成新的內在生活景觀。

〔NO.3〕 Underground Experimental Field, Taipei




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〔NO.2〕
Hsian-Guang Second Village, Taoyuan&#38;nbsp;
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〔NO.1〕Underground Experimental Field, Taipei



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-

Notice of Removal

Hsian-Guang Second Village / Taoyuan / Taiwan
SEP. 15 - NOV. 30 2018



搬遷啟示
憲光二村 / 桃園 / 台灣
SEP. 15 - NOV. 30 2018


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		<title>The Unmoored Variations</title>
				
		<link>https://weipojen.com/The-Unmoored-Variations</link>

		<pubDate>Sun, 04 Feb 2018 15:22:30 +0000</pubDate>

		<dc:creator>WEI PO JEN  魏 柏 任</dc:creator>

		<guid isPermaLink="true">https://weipojen.com/The-Unmoored-Variations</guid>

		<description>The Unmoored Variations




Water, wood, damaged wardrobe, glass jar, pump, found objects120 × 140 × 190 cm2017 - 2022



Military villages are one of the unique living patterns constructed by the historical factors of Taiwanese society, being an important cultural asset. They form the cultural landscape of Taiwan by their architectural form, the function of the space, the occupation, daily routine, and interaction within the community of these residents, with the passing of time and devotion. A lot of these villages are demolished due to urban planning. Heart Village in Beitou District, Taipei City, is one of the few that has not been torn down, and therefore reserved the abundant culture of military villages. It originated from “Former Japanese Soldier Garrison Hospital Beitou Branch”, and the present Tri-Service General Hospital Beitou Branch. The forming of Heart Village has a strong bond with the development of the two hospitals mentioned above. The architectures in Heart Village were slowly reconstructed through time from the dormitory of nursing home built during the Japanese colonial period, demonstrating the military village-style from both the colonial and the R.O.C. period. The surrounding of the village carries a particular character of evolutionary change in time and space, giving a crucial explanation to the development of military villages. 



This work is made during the artist’s residency in Heart Village. The idea derived from the life experience of the military villages’ residents after the post-war migration to Taiwan. They were forced to move from city to city, fighting and fleeing from the hostile force during the war. They crossed Taiwan Strait, defeated the surge of the tide, endured the seasick and disease, after retreated from China. Their social identity shifted constantly due to the turbulent state of society and government after arriving in Taiwan. No one knew that they would be staying in Taiwan for 40 to 50 years, let alone their entire lives.



This cabinet was tilted to the corner of the room when it was first discovered. With two hollow legs that have been eaten by termites, the cabinet was deformed and collapsed due to the incapability of supporting its own weight. The tilting and instability within the corruption, shows the damages caused by time. The qualities above linked the drifted experience of the residents to the medium of water, with their similarity in fluidity. Water is a constantly changing, unbounded, and unstable material. Its existence represents materiality within the special life experience of these residents. It was an extremely precious supply, as the water of life, during the war. It was the sinister tide while they were retreating. It is the water of gentleness and therapeutic in Beitou. 






不定的數種模樣




水、木材、舊櫥櫃、玻璃罐、泵浦、拾獲物

120 × 140 × 190 cm2017 - 2022

眷村是台灣社會因特殊歷史因素，所形成的獨特居住型態，是重要的文化資產。其建築形態、空間使用方式、居民的職業背景、生活常態、鄰里關係等，經過時間的推移與深根，在台灣形成特殊的文化地景。現今許多眷村因都市計畫逐漸被汰換拆除，位於台北市北投區的中心新村，是至今尚未拆除的眷村，保留許多豐富的眷村文化。中心新村的發展源於「前日軍衛戍醫院北投分院」，及現今國軍北投醫院，其形成與該院區發展密切相關。村內建築物由日治時期療養所之宿舍慢慢改建而成，涵蓋自日治時期到民國時期的眷村型態，整體環境有時間空間演變之特殊性，於眷村發展史上具有重大意義。

此作品是藝術家於中心新村的駐地創作。發想於眷村居民過往因戰亂，必須不斷遷移，最後甚至漂泊，來到台灣的生活經驗。在戰亂時，因生存和戰況，不斷逃難與敵軍抗衡，被迫從一座城鎮遷移到另一座；直到撤退，橫渡台灣海峽，同時抵抗洶湧潮水、同時忍受狹窄船艙漫延的暈眩和疾病；來到台灣，因時局動盪，在各種社會角色間不斷轉換，沒有人知道一來就是四、五十年，甚至一輩子。

當初發現這只櫥櫃，它就傾斜倚靠在房間中的牆角，其中兩只腳已被白蟻啃食殆盡，呈現中空狀態，因無法承受櫃體的重量變形坍塌。這樣傾斜且不安穩的敗壞，歷經時間消磨而損壞，使我聯想到以水作為媒介，用其本身極為變動的自然特性，與眷民的漂流經驗產生連結。水，是不斷更迭、非固定、不安穩的物質，是眷民的生命經驗中，特殊的物質性存在。在戰亂中，是極其珍貴的補給資源，是生命之水；在撤退時，是險惡的潮水、黑色的夢魘；在北投，是溫潤而療癒的泉水。


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-


	

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