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Mark

Egg


Pigment ink on vintage hand-dyed mulberry paper (aged over 20 years),  aluminum mounting
78 x 73 x 3.5 cm (framed)
2023

卵


代針筆繪於古楮染原紙(保存20年以上)、鋁裱
78 x 73 x 3.5 公分 (含框)
2023





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This monochrome drawing portrays a primordial form — the ovoid. Rendered through a near-microscopic perspective, it delicately captures the surface textures of mineral crystals, evoking associations with both bird eggs and stones polished by time. The work is drawn on a piece of aged mulberry paper that has been preserved for over twenty years, intentionally retaining the traces left by time: light, temperature, and humidity have all inscribed their presence upon it. Through this drawing, we are invited to contemplate form and existence, the relationship between the unit and the individual, and between the individual and the collective.

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此單色素描描繪了初始的形體 — 卵形。透過近似顯微的視角，細緻刻劃出礦物晶體的表層紋理，像是禽類的蛋和久經琢磨的石頭，皆是完滿且美麗的存在。畫作繪製於一張已保存二十年的舊楮紙上，刻意保留紙張經年累月所產生的變化：光線、氣溫與濕氣，都在其上留下足跡。透過畫作，我們得以凝視，思索著形體與存有、單位與個體、個體與群體的關係。

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Metal Fabrication Assistance｜Chen Ching Long Installation Support｜Tsai Tsung Hsun,Liu Yu Ting, Kuo En Shuo
 CNC Metal Fabrication｜Jo-Sing Stainless steel Laser Artwork Mounting｜LULU mount
Lighting Execution｜LighTemp
Photography｜Chu Chi Hong
Special Thanks｜Lin Yu Hsuan, Hsu Ting Jane, Feng Chih Ming
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金屬製作協力｜陳慶龍
布展技術協力｜蔡宗勳、劉昱廷、郭恩碩
CNC金屬加工｜久新不鏽鋼雷射有限公司
裝裱｜LULU mount
燈光｜絕對光度
攝影｜朱淇宏
特別感謝｜林裕軒、許庭甄、馮稚暝


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Earthworm and dust

YIRI ART / Taipei / Taiwan

MAR. 02 - MAR. 25 2023
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Support｜National Culture and Arts Foundation, Department of Cultural Affairs, Taipei City Government
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蚯蚓與塵埃

伊日藝術計劃 / 台北 / 台灣

MAR. 02 - MAR. 25 2023
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補助單位｜財團法人國家藝術文化基金會、台北市文化局